'many ... memorable characterisations, not least Brian Galliford's gross, gluttonous Iro'
'Brian Galliford delivers a virtuoso turn as the grotesque Iro'
'Mr Galliford made an expert transition from repulsive to pitiful'
'Brian Galliford (Iro) delivered a hilarious but also deeply moving portrayal of the failed socialite'
Iro · Return of Ulysses · ENO at Young Vic, London
'Brian Galliford's Don Jerome is succulent. What dynamic, what spirit!'
'a character tenor with an ideal declamation and an outstanding comedian'
'the wit and dramatic intelligence was irresistible'
'brilliant ! masterly' · 'unbelievable'
Don Jerome · Betrothal in a Monastery · Toulouse & Paris
'the embodiment of viscid lust as well as irresponsible power'
Herodes · Salome · Bregenz
'Outstanding: Brian Galliford. Top class!'
'a comedy talent, that probably knows no equal in Berlin'
Piet vom Fass · Le Grand Macabre · Berlin
The British born tenor Brian Galliford studied at the Guildhall School of Music & Drama. In 1991 he made his home in Amsterdam, The Netherlands.
His operatic repertoire includes Herodes Salome (Vorarlberger Landestheater Bregenz), Piet vom Fass Le Grand Macabre (Komische Oper Berlin, Niedersächsische Staatstheater Hannover, Vlaamse Opera, Teatro Nacional de São Carlos Lisbon, Nationale Reisopera and Neue Oper Wien), Don Jerome Betrothal in a Monastery (Théâtre du Capitole, Toulouse & Opéra Comique, Paris), The Rector and Bob Boles Peter Grimes (Royal Opera Covent Garden, Nederlandse Opera, Nationale Reisopera), Iro The Return of Ulysses (English National Opera), Tanzmeister Ariadne auf Naxos (Welsh National Opera), Bardolpho Falstaff (Opera Holland Park), Graf Albert Die tote Stadt (Nederlandse Opera), Eisslinger and Zorn Die Meistersinger von Nürnberg (Nederlandse Opera, Oper Frankfurt, Vlaamse Opera), Monostatos Die Zauberflöte (Nationale Reisopera) and Fatty Aufstieg und Fall der Stadt Mahagonny (Nationale Reisopera). As regular guest artist at the Netherlands Opera he has also sung in Die Soldaten, Der Rosenkavalier, Boris Godunov, Capriccio and Salome. He has been a guest artist at the Glyndebourne Festival (Betrothal in a Monastery), Bregenzer Festspiele (The Cunning Little Vixen), Nationale Reisopera (Idomeneo, Un ballo in maschera, La forza del destino), Wiener Kammeroper (Owen Wingrave, Die Gespenstersonate), Opera Zuid (I pagliacci) and Taller Amsterdam (Weisse Rose, Los Heraldos) as well as Old Deuteronomy in the 1992/93 Dutch production of Cats. He has been involved in a number of world premières including Cuentos de la Alhambra (José Luis Greco), Rixt (Henk Alkema) and Los Heraldos (Ilse van de Kasteelen) as well as a television film production of Udo Zimmermann's Weisse Rose. In June 2010 he created the roles of 1st Patient and Provocateur in the world première of Alexander Raskatov's A Dog's Heart directed by Simon McBurney and conducted by Martyn Brabbins at the Netherlands Opera.
Brian Galliford has sung with conductors including Antonio Pappano, Sir Simon Rattle, Vladimir Jurowski, Carlo Rizzi, Kenneth Montgomery, Tugan Sokhiev, Ingo Metzmacher, Ryan Wigglesworth, Hartmut Haenchen, Peter Eötvös, Luca Pfaff, Edo de Waart, Reinbert de Leeuw and Valery Gergiev and worked with such directors as Simon McBurney, Benedict Andrews, Martin Duncan, Daniel Slater, Willy Decker, Harry Kupfer, Nicola Raab and Tim Albery.
Whilst 2006 began well with Mr. Galliford's first Herodes in Salome for the Vorarlberger Landestheater in Bregenz, followed by his first visit to the Glyndebourne Festival Opera for Prokofiev's Betrothal in a Monastery, he was forced to withdraw from the David Pountney production of Die Soldaten at the Ruhrtriennale when cancer was diagnosed. Fortunately the treatment was successful despite complications and after an extensive period of recuperation, Mr. Galliford was able to resume his singing career in September 2008 as Missail in Mussorgsky's Boris Godunov for the Netherlands Opera in Amsterdam, since when his career has been going from strength to strength.
In January 2011 he made his French debut to great critical acclaim in the lead role of Don Jerome in Prokofiev's Betrothal in a Monastery at the Théâtre du Capitole, Toulouse and at the Opéra Comique in Paris.
2012 saw him at London's Royal Festival Hall with a concert performance of Dallapiccola's Il Prigioniero with Esa-Pekka Salonen and the Philharmonia Orchestra as well as a return to ENO for the British première of Glanert's Caligula at the Coliseum. He then sang Bardolfo Falstaff for Opera Holland Park and went on to Vienna to sing Piet vom Fass in Le Grand Macabre with Neue Oper Wien. The year closed with a return invite to the Théâtre du Capitole, Toulouse as Ménélas in La belle Hélène.
Future engagements include his debut at La Scala Milan in Raskatov's A Dog's Heart directed by Simon McBurney, conducted by Martyn Brabbins. La Bohème at the Saturday Matinee in the Concertgebouw Amsterdam, followed by Die Meistersinger von Nürnberg with the Netherlands Opera take him home to Amsterdam, after which he makes his first visit to the Salzburger Festspiele as A Fool in Birtwistle's Gawain. Autumn 2013 takes Mr. Galliford to London for semi-staged performances of Peter Grimes with the London Philharmonic Orchestra under Vladimir Jurowski and then Simon McBurney's Magic Flute comes to English National Opera with Brian as Monostatos.